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visual artist and writer marisol diaz

i am a self-defined Nuyorican creative (that is a Puerto Rican who is from both the isles of Manhattan, NYC and the Caribbean). I share daily in the joy of education and live in a cute port town in New York, in a 'teensy-weensy' apartment with my two dogs and canary named Valentino. Check out my Etsy shop for purchasable pieces. Please do not reproduce imagery off of this site without explicit credit and no derivatives may be made of my original imagery- Thank You.

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This work by marisol diaz is licensed under a Creative Commons Attribution-NoDerivs 3.0 Unported License.
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Entries in On Creativity (64)

Wednesday
Oct012014

Healing the Creative Heart 

self m.diaz

You all know the term,'spooning', allowing and encouraging your body to curve, mold and encase another's so that they become warm nooks & crannies for each of your limbs. Your forehead fitted into the nape, the smell of the pheromones that intoxicate you. The other's heartbeat lulling you and your responding lips to sleep. Becoming familiar extensions of each other. Having lived together side by side, job-free, breathing the same summer air 24 hours a day for 76 days spooning...well the untethering is brutal. It is reminiscent of a phantom limb that you insist is there, when it is not.

With many of our creative, over-active imaginations who knows how long or if it was ever there to begin with.

You know that bubble gum effect of our hearts and noisy minds; webbed, stretched, fibrous, gummy, sticky residue of emotions pulling off. Especially when you were fooled into believing you were both working to understand this phenomenal bond... Every image, every selfie, every memory has you both smiling cheek to cheek. Pulling off the gum of serotonin, dopamine and norepinephrine is by far one of the hardest habit reversals we ever face. Especially the inside voice and thoughts that person was a receptor for, when you have no other confidante.

When you love big and hard you are like, Atlas holding that love, that world, that dream, high up over your head, so high, so high, so high that when your arms can't bear the weight any longer and you bring them down you are shocked to see - your love never came down with you.

Now in Puerto Rico, and probably quite a few other places in the world, we have a saying that you can remove a nail with another nail. Some of us disconnect from lovers in our lives by giving that love away to someone new. In fact some say you can't give romantic love to the new without taking it away from the old. Just look at the premise of the new film, My Old Lady with Maggie Smith and Kevin Kline. Some of us disconnect by substituting one human vessel with another. And if you are alone in struggling with the habit reversal and your partner is not, the chances are that your partner has moved on by doing just that. Especially if they have verbalized the desire to be with others to you often or have even admitted as much.

These toxic heart things would be difficult for anyone no matter how tempered and resilient. Now fast-forward to the world becoming too big, too alienated, too spiritual-less, too screen-addicted, too lonely. Fear, fear of world crisis, fear of being female, fear of being alone, growing old, fear of living. Anxiety cases growing astronomically globally and more of us experiencing panic attacks than ever before. What do you do?

As creatives this is especially difficult. No need for an art history lesson and the revelations between creativity, love and madness.

You'll hear so many suggestions. 'Love yourself', 'Find yourself' as though feeling like you won't survive this love means you don't love yourself. Of course you love yourself, if you didn't how else could you have come to love truer with as much forgiveness, dedication, loyalty, ferocity, and faith-driven persistence not letting go too easy. Those who love themselves are the one's working to hold it together, forgiving lies- once, twice, being made a fool and holding love up over their heads.

Don't misunderstand me, there are definitely many of us who do not love themselves. In fact, I would venture to say they are often the one's 'at war with love' stringing us along, vacillating, not sure of what they want, using you here, not wanting you there, being inconsiderate of you and what you do, breaking hearts like irresponsible bulls in china shops. They are the ones who need to be told to go find themselves, love themselves, and learn to be whole and present before trying to make a life with someone.

So what do you do? You'll close up, clam up, sleep, cry, cry while you sleep, walk lots of walks, cry while you walk, and lock yourself up. When it feels like weeks have gone by and you are still in a state of raw pain you'll hear the words 'meds' and imagine the hospital gown and the cold flush of a tranquilizer shot soothing you into slumber. And for some this may be the way, especially when anti-depressant prescriptions are so readily dispersed. But for me the question was how to heal without intervention.

That has become my determination.

sketchbook page soul-gutted by m.diaz

And I would like to share this journey with other creatives hurting - so no one has to feel as alone and misunderstood as I have, even while you know the one true thing you loved has left you, staged your reality, and is giving all the beauty you bestowed upon their brow away to another.

First I would like to start with sharing tactics that have been helping me in my next few blog posts, things like how to write, draw, paint when you have no drive. How to use routines and healthy habits to create and maintain habit reversal. That doesn't mean I'm no longer waking up at 3, 4 or 5 am with heart racing realizing in hyper-speed that my life as I knew it and my dreams have been radically altered. I am still in mourning of the living- but the process has picked up momentum, and I have slowly reclaimed my mind and find myself laughing more than crying, or have less and less moments in which I am pestered and plagued by fixated thoughts & replays of betrayals.

And as you look at the sketchbook page above, I'd like to offer a different way of seeing it- as opposed to soul-gutted.

You see being able to truly LOVE couldn't possibly be pain free. And that is not necessarily a bad thing.

Buddhism, 5th century brain science, has the Buddha enduring suffering and it was that very poison turned to medicine the brought him to enlightenment. Now I KNOW THAT IS EASIER SAID THAN DONE and the how as I learn it is what I want to share.

As a young Buddhist recently articulated, it weren't for cellular muscles ripping/tearing when you work out we wouldn't grow stronger- the 'tear' of a muscle the two major ways are that contractile proteins (actin & myosin) are damaged which is ESSENTIAL part of synthesis for making the muscle mass grow. And for those of us creatives especially the sculptors, you know the often powerful result of putting a material through stress like hammering heated metal into form to forge a beautiful sword. Perhaps my sketch is recognizing the essential pain of being CAPABLE of loving empathically and truly.

So for too long I have been seeing myself as the rumi quote -

'The friend comes into my body Looking for the center, unable to find it, Draws a blade and strikes anywhere'
This is me perceiving myself as wounded and scarred by someone I trusted. Though that may actually be - it has also given way to scarification that has made me tougher, clearer, stronger, and in awe of what I am capable of resurrecting from. Many who misunderstand Buddhism believe that it encourages no earthly attachments. It's not the case we will have desire and we will have attachments - it is the ability to affect the mind so as not to be GUTTED by the suffering of those attachments that leads to enlightenment and the suffering is essential to obtaining the transcendence.

Instead I want to share this quote:

Quote from The Heart of the Lotus Sutra by Daisaku Ikeda
Tuesday
Jul122011

Artist Assistantship with the De La Torre Brothers in Ensenada, Mexico

"Creativity is the defeat of habit by originality."-Arthur Koestler

This is the perfect quote to surmise my summer thus far. It implies taking a wet rag to the set ingrained dirty lines of dust on your windshield and wiping them clean of routine, it implies an end to the repetitiveness and turning your life inside out and upside down by taking a 6 hour flight and landing into undetermined circumstances...to endure something new, something unadulterated and fresh - never before witnessed by your sensory powers. Hence something original is born.

I was super fortunate this summer to be asked/selected by the my long time prof glass artist friends, the De La Torre Brothers, to assist them with their work for three weeks this summer.

And so after kissing my fam goodbye, flying into San Diego and driving down to Baja California, I am finally here. And I am loving the wine region, fish port land, the people, the spanglish and the creative studio gig! The flora and fauna is absolutely stunning...I'm mesmerized. I feel like the ranch we are stationed on is right out of a Georgia O'Keefe movie. So I thought I'd share some vignettes of my beautiful trip so far- oh n my trailer...I hope you like!!

Tuesday
Jun282011

A Way to Keep Your Secrets of Secrets

Was browsing at Urban and I found this adorable tin ... Made by Blue Q who I've blogged about before with their uber-cute reusable grocery bags as an alternative to those wasteful n pesky plastic bags. Anyhoo I digress, they now have this 'Top Secret' tin and two others, one with the words 'Random Things' written on it and another with a funny vintage cartoon about that illegal substance that some folks like to use for ...medicinal purposes?? Yes well ... how great is this tin and it even comes with an if found card!


Here's what I think you should do - get yourself any tin (but this one is so stylish- watch Amelie (for the umpteenth time if you're like me), don't forget to write your 'if found' card fill the little box with random things - souvenirs from your travel - secret sentimental things - maybe your greatest wish and go bury it somewhere that even you will forget where it is .... Then let's wait n see when n how n if, it ever emerges!

Wednesday
Jun152011

Doing Nothing, Disconnecting and Why it's Important (Just in Time For Summer)

"Every now and then go away, have a little relaxation, for when you come back to your work your judgment will be surer. Go some distance away because then the work appears smaller and more of it can be taken in at a glance and a lack of harmony and proportion is more readily seen."- Leonardo DaVinci
The Sweetness of Doing Nothing by m.diaz

Not so long ago, I was not me. I was instead an inanimate object. To be clear, I was a rubber-band. I was stretched so thin from being pulled in so many directions that I was bound to snap, and I did. I snapped right in the face of some folks that I care deeply about. Folks who didn't even have a hand in stretching me to begin with, but unfortunately, they were close enough to feel my whiplash.

Now sometimes being stretched that thin is an aid in productivity. I successfully argue that point at every moment in which I accept a new task. In fact, I've just pitched the, "No Worries, I work better under pressure" tagline to myself and my co-workers, friends and students earlier today.

Come on lets face it, I have a superhero complex, ever since I saw that star-studded Chicana, Lynda Carter spin her brunette head into the Wonder Woman of my dreams.

So I'm super capable and yes I can, I can do it all... sound familiar??
But what I've been learning as I get older is not to ask, "Can I?", (because I probably can, but at what cost?) instead I need to ask, "Should I?"

So in lieu of this global race against time, productivity and efficiency, many of us have grown digital appendages that allow us to redefine multi-tasking: cell & smart phones, laptops, ipads, portable hotspots, apps, etc.

As a result, these appendages have become indispensable, and have us 'connected' indefinitely. Personally, if you ask me, the very thought of misplacing my iphone brings cold-sweats, chills and dizziness to mind instantaneously as though it equated a lost limb.

In the New York Times bestseller, Hamlet's Blackberry, William Powers does an astute job of reminding us that the goal of all of our highly efficient technological advances was to gain us more time. It is the 'spaces, gaps, the respites,and stopping places for the mind' that we gain from our ultra-efficiency that we are somehow losing. Despite all of our hyper-connectivity, we are less connected to authentic humanity by constantly being wired to a virtual one.

First I would like to define rest by including anything that alleviates action and restores absorption of the mental, physical, emotional and/or spiritual kind. If you’re like me, you’ll stress about making it to Yoga class on time, and well, that's just not ok.

Somehow we are all hearing ourselves say WE USED to have A LOT more time...

Now seeing as we now have all of these hyper-connective tools that allow us to do multiple tasks at once, we should have MORE time. Yet, instead if you're like me, you're most likely giving all that new found time away. Possibly that new time is being given away to being 'ON' and available in our digital personas/virtual worlds 24/7. If that's the case, well then I think it might be time to reassess our priorities.

Thoreau said that the man that goes back to the post office (substitute email in-box here) over and over is a man who hasn't heard from himself in a long while.

- From Hamlet's Blackberry

So why are these pauses, GAPS of Absorption and PROCESS, these 'moments' or if we dare, DAYS of rest in our busy lives so important?

Well we've all heard the cliché answers: relieving stress, recharging your battery, richer connection and self-reflection. These are indeed vital and incredibly important in gaining the depth/richness and quality of experience we need out of our daily lives (instead of being automatons of brainless routines).
But lets look at some of the rich reasons that I gleaned from Hamlet's Blackberry...

Creativity is defined by the ability to make mental associations ....

" When work is all about darting around screens, we're not doing something thats even more valuable than thinking quickly: thinking creatively.

Of the minds many aptitudes, the most remarkable is its power of association, the ability to see new relationships among things. The brain is the most amazing associative device ever created, with its roughly one hundred billion neurons connected in as many as a quadrillion different ways- more connections than there are stars in the known universe.

Digital devices are, in one sense, a tremendous gift to the associative process because they link us to so many sources of information. The potential they hold out for creative insights and synthesis is breathtaking. The best human creativity, however, happens only when we have the time and mental space to take a new thought and follow it wherever it leads. William James once contrasted 'the sustained attention of the genius, sticking to his subject for hours together,' with the 'commonplace mind' that flits from place to place. geniuses are rare, but by using screens as we do now, constantly jumping around we're ensuring that all of us have fewer ingenious moments and bring less associative creativity to whatever kind of work we do."


- William Powers From Hamlet's Blackberry

In working out and toning your body, muscles need states of strict rest in order to grow and develop. As an educator it is established that in order to learn we need to time to process. Within inter-personal relationships we need time for reflection. As humans we live dichotomously between an inward and outward states and that condition should be balanced. I personally feel we lose control when we do anything in excess and the only true form of satisfaction comes in a perpetual balanced state of moderation. It is how I have come to champion my body this year.

William Powers doesn't advocate disconnect and be a ludite. He advocates the notion that we need to learn to control the aspects of our lives that are controlling us- he advocates moderation and mitigation between you and the technologies that are inhibiting your ability to live a high quality, present, attentive and fully immersed experience of a life- learn when to turn your ON 'green' button OFF in order to truly be ON.

He that can take rest is greater than he that can take cities. - Benjamin Franklin

So if I haven't convinced you yet to take a reading gander with Hamlet's Blackberry, let me add some previews of what's in store.
Powers takes on the challenging task of reviewing the philosophies of seven great thinkers throughout human history. He applies their thinking of what had once been the new technologies of their time and the concept of connectivity to today's surge of overwhelming digital data.
You might think this is a far reach, but I found it pleasantly surprising to see how relevant and applicable: Plato's notion of 'distance' is, Seneca's concept of Inner space, Gutenberg's manufacturing brilliance with technologies of Inwardness, Shakespeare's idea that old tools can ease overload, Ben Franklin's adaptation of positive rituals, Thoreau's Walden zones, McLuhan's lowering of the Inner thermostat and William Power's Internet Sabbath. These ideas can apply to you and me and help us moderate our on 24/7 consumption of digital juice.

Finally, if these thoughts don't stimulate your desire to ignite your spatial, tactile and physical awareness with the reality around you, here are some tech-saavy reasons that are not meant to be comical (though they may sound it) to self-moderate your digital connections.

TAKE YOUR REST AND LEARN TO SAY NO & shut off & time out & DISCONNECT every once in a while so you don't get things like:

  • INFORMATION OVERLOAD estimated to be responsible for economic losses (lowered productivity and throttled innovation) of 900billion dollars a year *(result of a 2009 study done by Basex a leading research firm)
  • ATTENTION DEFICIT TRAIT (ADT) symptoms include distractability, restlessness, a sense of gotta go gotta rush, gotta run around and impulsive decision making because you have so many things to do
  • CONTINUOUS PARTIAL ATTENTION defined as the state of mind in which most of ones attention is on a primary task, but where one is also monitoring several background tasks just in case something more important or interesting comes up
  • EMAIL APNEA a form of shallow breathing while checking email that in some extreme cases leads to an increase in stress related disease
  • INTERNET ADDICTION DISORDER self-explanatory damage...
  • NOMOPHOBIA Fear of being without mobile phone contact
Next, plan your day of rest. It can be any day of the week. Planning is essential to progress. Carve out time and you’ll commit. Practice turning down events, errands, chores, things you don’t truly need to get done under the gun. Plan meals in advance, turn off the iPhone, disconnect your computer, and stick your car keys in a drawer. Instead of being a slave to time, create it by accepting downtime. By taking time out, you’ll have more in the end.
Tuesday
May242011

Altered Couture of the Month- Customize Your Shoes Tutorial

Recently, I was in the market for a new pair of black wedge sandals. Though I liked the simple form of these wedges from Urban Outfitters, I wasn't crazy about the non-black heel. At first I thought, "thats ok, I'll just buy them and rub black shoe polish over the pseudo-suede heel." Ok. So probably not the best idea I ever had, but thats the great thing about thinking... sometimes one thought leads you to ANOTHER! And lucky for you my blog on Artful Living is here to share it with you!!

Sunday
Feb272011

Nominated Best Animated Shorts - My favorite part of the Academy Awards

Although I was rooting for some supporting actors in the Academy Awards tonight (yes Bale!!) as an artist, I am always smitten with the oscar nominated ANIMATED SHORTS section and so the Winner is...
The Lost Thing... Shaun Tan (one of my Absolute favorite illustrators and writers) & Andrew Ruhemann.
One day I will see my own animation dreams through but for now, I am fortunate enough to relish and be inspired by others who have awakened art through this genre.

Thanks to Youtube I have taken all the nominees and collected their trailers here for you all in one place! ENJOY!!

Sunday
Jan302011

Miami International Art Fair III- The Mundane Gets Its Iconic Due 

This is the third installment of Miami Art Fair contemporary art and I still have more to share. I'm anxious to show you all some more of what I've been doing lately too, so hopefully you keep coming back for more!

Nick Gentry, Antenna, Mixed Media on Computer Disks on Wood rep. Art Modern Gallery photo by m.diaz

Artist Nick Gentry's work represented by the Art Modern Gallery has gone viral on the blogosphere lately, my students love his work on old floppy disks. Above is one of his pieces entitled Antenna that I saw at the Miami Art Fair.


The next piece that I'm featuring here is this piece entitled Compound 3 by Colombian born artist Juan Raul Hoyos, represented by the Alejandra Von Hartz gallery, made entirely of paper bags. Anyone who is a regular blog follower of mine might recall my post entitled The Potential of a Brown Paper Bag that you can see here which resonates with the same idea of how much complexity you can build with such simple things. In the case of artist Juan, he has built what appears to be a whole congested city developed out of printed bags simply opened and left to evoke a war-torn time and place. For me what was quite powerful was the congested feeling still seemed overcome with abandon and emptiness...like an evacuated space. Too bad it seems Juan does not have his own site and or the Alejandra Von Hartz Contemporary Art Gallery site should have links to more of their artists work so that you could see more.

Detail shot of Compound 3, by Juan Raul Hoyos, white paper bags, Rep. Alejandra Von Hartz Contep. Art Gallery photo by m.diaz Compound 3, by Juan Raul Hoyos, white paper bags, Rep. Alejandra Von Hartz Contep. Art Gallery photo by m.diaz

This next artist is another one of my favorite three dimensional artists from the MIA. Her name is Shantamani living in Bangalore, India represented by the Galerie Helene Lamarque. Her series of work is entitled Carbon myths and she uses charcoal which for me infers earthy fire, combustion and residue to construct her pieces. Mother Goddess,by Shanthamani rep. Galerie Helene Lemarque Detail of Mother Goddess, by Shanthamani rep. by the Galerie Helene Lamarque photo by m.diaz MINT by Shanthamani, Charcoal, rep. by Galerie Helene Lamarque photo by m.diaz DETAIL shot of Mint, Shanthamani, Charcoal, rep. by Galerie Helene Lamarque photo by m.diaz

Ok so get ready! Here is another moment when my students came to mind...turning around in the Galerie Helene LeMarque booth at MIA and seeing all of these stacked yellow phonebooks carved into these portrait busts! A graduate of School of Visual Arts, artist Long-Bin Chen from Taiwan gave a serious sculptural treat...once again showing us the power of the pedestrian object being risen to iconic stature.

India Buddha Boston by Long-Bin Chen back of India Buddha Boston by Long-Bin Chen a photo by the Museum of Arts & Design Webcam tech blog of Long-Bin Chen at work in their studios


detail shot of Long-Bin Chen's work by m.diaz detail shot of Long-Bin Chen's work by m.diaz here another sculpture by Long-Bin Chen at Mia photo by m.diaz back view of sculpture by Long-Bin Chen at Mia photo by m.diaz another sculpture by Long-Bin Chen at Mia photo by m.diaz

If you have 7 minutes I found an additional treat for you all, this fun you tube video doc of Long-Bin Chen and his work- I think you;ll really enjoy it!

I hope you enjoyed this installment of my MIA art fair experience! I have one biggy left to report on before I start to move on and share some other creativity and art related news- so stay tuned and LET me know what you think! Anybody here who blew you away and why? or was this all just too on the 'what-ever-happened-to-fine-art-supplies?' for you?

-Ciao Amarettogirl

Monday
Jan242011

Miami International Art Fair II

All photos in this post by m.diaz @ the MIA Art fair

Christina Pettersson

In grad school I was told I was a better draftsperson than painter and that I should focus my energy on just drawing... regardless... at graduation I received a certificate of distinction at the Hoffberger school of Painting. I'm glad I didn't outline limitations around myself or be swayed by the big names that guided my path, but when I saw this artist, Christina Pettersson's work @ Mia it reminded how powerful an unadulterated graphite drawing can be. Her work comes across as pure as a piece of 18th century literature and iconic and romantic enough to make William Morris smile in his grave. The large scale of the drawings can be better appreciated in the video I found for you. I am also quite impressed with the artists featured by the Spinello gallery who had more than one of the artists I am featuring and reviewing here my blog.

Zora Neale Hurston's Grave, 2009, Graphite on Paper by Christina Pettersson rep. by Spinello Gallery</span> Eudora Welty's Grave, 2009, Graphite on Paper by Christina Pettersson rep. by Spinello Gallery

Euginio Cuttica

One of the artists I really enjoyed discovering at the Miami International Art Fair was Euginio Cuttica, who I believe was there represented by the Adriana Budich Arte Contemporàneo Gallery. Eugenio Cuttica is a contemporary artist born in Buenos Aires in the mid 50’s. The opening slideshow on his website is a treat enough to discover so I highly recommend clicking on his name anywhere in this post to go to it and peruse yourself.

Luna #19 mixed media on cardboard by Euginio Cuttica DETAIL Luna #19 mixed media on cardboard by Euginio Cuttica Luna #17 mixed media on cardboard by Euginio Cuttica DETAIL Luna #17 mixed media on cardboard by Euginio Cuttica

Sang-Sik Hong

Another very intriguing artist was South Korean Artist Sang-Sik Hong who was represented at MIA by the Patrajdas Gallery.

Sang-Sik uses a very pedestrian (everyday) object such as the plastic drinking straw and delivers a fun, yet deliberate and evocative punch of relief imagery!

He makes contemporary, symbolic sculptures & installations. A real special treat is to visit the Patrajdas site by clicking on it here and seeing SangSik Hong's Installation Works which are EXTRAordinary and fantastic feats of genius!

Representations of Power, Sex & Desire executed in a "weak" and basic, yet iconic material.

Mouth - Red (ed. 3/5)Straws by Sang-Sik Hong rep. by Patrajdas Contemporary Art Obstruct (ed. 1/5)Straws by Sang-Sik Hong rep. by Patrajdas Contemporary Art DETAIL Obstruct (ed. 1/5)Straws by Sang-Sik Hong rep. by Patrajdas Contemporary Art
DETAIL Obstruct (ed. 1/5)Straws by Sang-Sik Hong rep. by Patrajdas Contemporary Art







**************************************************************************

I hope you enjoyed this second installment and trust me there is still so much more to come! So stay tuned! -
Ciao Amarettogirl

Monday
Jan172011

The Miami International Art Fair HIGHLIGHTS Report I

My MIA Press Pass

I am back in the cold Northeast from a visit to Miami International Art Fair this past weekend where the weather was warm, and some of the art was hot.

Fortunately, I met a fellow blogger/artist F.L. Campello from the Mayer Fine Art Gallery whose work I was struck by and who quickly hooked me up with a press kit. The fact that bloggers have gained some respect was new to me, but makes perfect sense since we have the ability to start accessible information chains that can go viral rather quickly. So I am now considered viable press in these situations which is so very cool!


I returned with over 300 photos in tow of contemporary art that I can now break down and parcel out to you in digestible bits and pieces.
Overall the fair seem to have an overabundance of Latino artists represented. I'll begin this feast for your eyes and intellect with a few appetizers, click on pink links to see, read or learn more.

artist - Cornelis Zitman rep. Ascaso Gallery, Caraca Venezuela photo by m.diaz @ MIA

NOTE: a quick reminder (especially if you're new to following my blog), I don't prescribe to antiquated definitions of fine art vs. craft or that one is a higher art form over another- I can be free to do that since I am not confined to markets, or to inciting market value.

Regardless of being involved in education and the value of certain pieces to the art to the student, I am not driven by academic high-art-speak babble, which can unfortunately just be a guise for a lack of conviction and a way to bs around the human need for personal expression. So some of my top picks may be due to a variety of different reasons which can vary from the gallery's attitude, content, a specific appreciation for a technique or skill that is manifested in a particular element of art, or simply my personal taste.

My top picks may not be your cup of tea and will range from blue chip to University of Miami students, but hopefully you'll see some value in what I chose to highlight here since I certainly won't be posting all 300 photos.

Salustiano (B. 1969), Spain, Isabelle, Natural Pigments, Acrylic Resin on Canvas, from Kavachnina Contemporary gallery Miami,FL Photo by m.diaz @ MIA Salustiano (B. 1969), Spain, SMILE, Natural Pigments, Acrylic Resin on Canvas, from Kavachnina Contemporary gallery Miami,FL Photo by m.diaz @ MIA Valeria Rocchiccioli, Agua, Plastic photo by m.diaz @ MIA Valeria Rocchiccioli, Agua DETAIL1, Plastic photo by m.diaz @ MIA Valeria Rocchiccioli, Agua DETAIL2, Plastic photo by m.diaz @ MIA Spinello Gallery Enrique Gomez de Molina photo by m.diaz @ MIA Spinello Gallery Enrique Gomez de Molina photo by m.diaz @ MIA F.L. Campello, Lilith,Mayer Fine Art Gallery Nazar Bilyk, Rain, Black Square Gallery, Polyester resins, Glass, fiberglass toned as a Bronze, photo by m.diaz

This visit was incredibly educational for me not only in what is happening with some of 'the up and coming' and inspiring creative thinkers out there, but also in regards to some of the behind the art scene of gallery etiquette, conventions, loyalty, and their time, energy and economic investments, so once in a while I'll post a nugget of info in that regard as well.

- Ciao and enjoy!- Amarettogirl

Sunday
Jan022011

Little, BIG Delights that Rock My World, & Might Just Rock Yours!

For this 2011 year I decided that I would have a new category on my site entitled, Little Big Delights dedicated to all the little things that bring me GREAT joy and remind me that being present, globally conscious and appreciative of heart smiles can be mesmerizingly joyful.

Every one of these little things makes a big difference in my days, weeks and months of living. Though these things can sometimes be objects, they are not always- sometimes they are sensations; like the smell of a hot pan with sizzling onions and garlic, or the popping sound of wood as it crackles loudly and madly in the fireplace or a warm cup in my cold hands, or the skip of my heart beat when I see a silent smile. Everything wont be for everyone, but hopefully I'll inspire delight or what I call a heart smile somewhere in you too.

Today I'll list three Little, BIG Delights. Though I have done this (highlighted things I love) all along on my blog, wanting to formally categorize them came from a phenomenal book and an inspiring author- so I will start with that particular delight -

  • 1. reading

- and though I have my nose in more than one book at this time- in this case I'm referring to a book I just bought for myself that I have been delighting in reading every night before sleep this week:

This book, Encyclopedia of the Exquisite, An Anecdotal History of Elegant Delights, is by Jessica Kerwin Jenkins, former Editor of the magazine W in their Paris division, is well-traveled and currently a writer for Vogue. Here is a sample page of the delightful writing Ms. Jenkins offers us immediately in her introduction,

"These entries sprang directly from a file I kept on my desk, bulging with scribbled scraps, Xeroxed articles, quotes, and curious images I'd come across-anything that lit a spark, or excited "intense delight". In my mind I called the collection "Why I Like it Here," "here" meaning on the planet. If I was having a bad day , flipping through the file could sweep me into a dreamy demimonde where things didn't seem so bad."

As the book is categorized alphabetically, I have so far; seen the sky filled with 'Aerostations' through the eyes of Marie Antoinette & King Louis the XVI, gone Alfresco, learned to make Blancmange, reveled in the powerful history of the color Black, abandoned convention with the origin of the Bob haircut and am looking forward to unraveling the mysteries of the feminine Boudoir and the Carousel tonight! Ms. Jenkins form of writing is delicious in it's clarity and focus.

Ok drumroll for

The lid of my van leeuwen earl grey icecream

Unfortunately, I first encountered this beautifully designed, pale-yellow, ice cream truck this past summer in NYC when I was in the middle of cleansing and detoxing my body from sugar. And though I was thoroughly entranced by the elegant illustrations and the over-all marketing aesthetic, the moment I asked the Seller if she had nutritional information for the ice cream and when she said no - my will power (at the time made of iron) kicked in, so I walked away and had none...fast forward months later and many pounds less on my body, I was in my local whole foods and discovered the same beeauutiiiful aesthetic packaged in pint size containers in the frozen foods section - with a nutritional chart! All I needed was that and an espresso cup-size portion and I was in HEAVEN!!

and finally my last Little, BIG Delight

3. These antiqu-ish rustic BLANK pin cushion clamps:




This past summer my hub and I went up to his parents in BOMBAY NEW York - yes I said Bombay (7hrs. north of nyc) out by the Canadian Border and by/on local Mohawk reservations. Like I often do I love to go through the local antique shops. This time I found these sweet little BLANK clamps. I'm actually sure they're not really antique (just made with that look) but as a budding seamstress - I think they're BRILLIANT- seeing as I can glue any pin cushion of my choice on to it - like my hand-made by me felt cupcake pin cushion! PLUS they were only 6 dollars AND they clamp onto my ironing board and my sewing table!! Woo HOO!!!

Hope you enjoyed these LITTLE BIG DELIGHTS and that you find some of your own in your daily life!- Amarettogirl