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visual artist and writer marisol diaz

i am a self-defined Nuyorican creative (that is a Puerto Rican who is from both the isles of Manhattan, NYC and the Caribbean). I share daily in the joy of education and live in a cute port town in New York, in a 'teensy-weensy' apartment with my two dogs and canary named Valentino. Check out my Etsy shop for purchasable pieces. Please do not reproduce imagery off of this site without explicit credit and no derivatives may be made of my original imagery- Thank You.

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This work by marisol diaz is licensed under a Creative Commons Attribution-NoDerivs 3.0 Unported License.
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Entries in Illustration (56)

Wednesday
Feb172016

Contemporary Illustrations with Ink 

Coming In April .... these original pieces will be available for purchase because I am one of many phenomenal artists featured on the Spring Online Auction with Stephanie Gagos! BULLETPROOF Detail shot of Bulletproof illustration by marisol diaz
Wednesday
Feb172016

Illustrations for Upcoming Online Auction!

Coming In April .... these original pieces will be available for purchase because I am one of many phenomenal artists featured on the Spring Online Auction with Stephanie Gagos! Gypsy Fate Ink Illustration Work in Progress - to be a girl....Ink on Rives BFK paper
Friday
Nov132015

Painting TimeLapse 

The Joyita series is a small series of resin paintings I am making for the Nyack indoor street fair. I will be posting dates time and place here soon. This is a quick time lapse of my process I hope you enjoy!

Wednesday
Oct012014

Healing the Creative Heart 

self m.diaz

You all know the term,'spooning', allowing and encouraging your body to curve, mold and encase another's so that they become warm nooks & crannies for each of your limbs. Your forehead fitted into the nape, the smell of the pheromones that intoxicate you. The other's heartbeat lulling you and your responding lips to sleep. Becoming familiar extensions of each other. Having lived together side by side, job-free, breathing the same summer air 24 hours a day for 76 days spooning...well the untethering is brutal. It is reminiscent of a phantom limb that you insist is there, when it is not.

With many of our creative, over-active imaginations who knows how long or if it was ever there to begin with.

You know that bubble gum effect of our hearts and noisy minds; webbed, stretched, fibrous, gummy, sticky residue of emotions pulling off. Especially when you were fooled into believing you were both working to understand this phenomenal bond... Every image, every selfie, every memory has you both smiling cheek to cheek. Pulling off the gum of serotonin, dopamine and norepinephrine is by far one of the hardest habit reversals we ever face. Especially the inside voice and thoughts that person was a receptor for, when you have no other confidante.

When you love big and hard you are like, Atlas holding that love, that world, that dream, high up over your head, so high, so high, so high that when your arms can't bear the weight any longer and you bring them down you are shocked to see - your love never came down with you.

Now in Puerto Rico, and probably quite a few other places in the world, we have a saying that you can remove a nail with another nail. Some of us disconnect from lovers in our lives by giving that love away to someone new. In fact some say you can't give romantic love to the new without taking it away from the old. Just look at the premise of the new film, My Old Lady with Maggie Smith and Kevin Kline. Some of us disconnect by substituting one human vessel with another. And if you are alone in struggling with the habit reversal and your partner is not, the chances are that your partner has moved on by doing just that. Especially if they have verbalized the desire to be with others to you often or have even admitted as much.

These toxic heart things would be difficult for anyone no matter how tempered and resilient. Now fast-forward to the world becoming too big, too alienated, too spiritual-less, too screen-addicted, too lonely. Fear, fear of world crisis, fear of being female, fear of being alone, growing old, fear of living. Anxiety cases growing astronomically globally and more of us experiencing panic attacks than ever before. What do you do?

As creatives this is especially difficult. No need for an art history lesson and the revelations between creativity, love and madness.

You'll hear so many suggestions. 'Love yourself', 'Find yourself' as though feeling like you won't survive this love means you don't love yourself. Of course you love yourself, if you didn't how else could you have come to love truer with as much forgiveness, dedication, loyalty, ferocity, and faith-driven persistence not letting go too easy. Those who love themselves are the one's working to hold it together, forgiving lies- once, twice, being made a fool and holding love up over their heads.

Don't misunderstand me, there are definitely many of us who do not love themselves. In fact, I would venture to say they are often the one's 'at war with love' stringing us along, vacillating, not sure of what they want, using you here, not wanting you there, being inconsiderate of you and what you do, breaking hearts like irresponsible bulls in china shops. They are the ones who need to be told to go find themselves, love themselves, and learn to be whole and present before trying to make a life with someone.

So what do you do? You'll close up, clam up, sleep, cry, cry while you sleep, walk lots of walks, cry while you walk, and lock yourself up. When it feels like weeks have gone by and you are still in a state of raw pain you'll hear the words 'meds' and imagine the hospital gown and the cold flush of a tranquilizer shot soothing you into slumber. And for some this may be the way, especially when anti-depressant prescriptions are so readily dispersed. But for me the question was how to heal without intervention.

That has become my determination.

sketchbook page soul-gutted by m.diaz

And I would like to share this journey with other creatives hurting - so no one has to feel as alone and misunderstood as I have, even while you know the one true thing you loved has left you, staged your reality, and is giving all the beauty you bestowed upon their brow away to another.

First I would like to start with sharing tactics that have been helping me in my next few blog posts, things like how to write, draw, paint when you have no drive. How to use routines and healthy habits to create and maintain habit reversal. That doesn't mean I'm no longer waking up at 3, 4 or 5 am with heart racing realizing in hyper-speed that my life as I knew it and my dreams have been radically altered. I am still in mourning of the living- but the process has picked up momentum, and I have slowly reclaimed my mind and find myself laughing more than crying, or have less and less moments in which I am pestered and plagued by fixated thoughts & replays of betrayals.

And as you look at the sketchbook page above, I'd like to offer a different way of seeing it- as opposed to soul-gutted.

You see being able to truly LOVE couldn't possibly be pain free. And that is not necessarily a bad thing.

Buddhism, 5th century brain science, has the Buddha enduring suffering and it was that very poison turned to medicine the brought him to enlightenment. Now I KNOW THAT IS EASIER SAID THAN DONE and the how as I learn it is what I want to share.

As a young Buddhist recently articulated, it weren't for cellular muscles ripping/tearing when you work out we wouldn't grow stronger- the 'tear' of a muscle the two major ways are that contractile proteins (actin & myosin) are damaged which is ESSENTIAL part of synthesis for making the muscle mass grow. And for those of us creatives especially the sculptors, you know the often powerful result of putting a material through stress like hammering heated metal into form to forge a beautiful sword. Perhaps my sketch is recognizing the essential pain of being CAPABLE of loving empathically and truly.

So for too long I have been seeing myself as the rumi quote -

'The friend comes into my body Looking for the center, unable to find it, Draws a blade and strikes anywhere'
This is me perceiving myself as wounded and scarred by someone I trusted. Though that may actually be - it has also given way to scarification that has made me tougher, clearer, stronger, and in awe of what I am capable of resurrecting from. Many who misunderstand Buddhism believe that it encourages no earthly attachments. It's not the case we will have desire and we will have attachments - it is the ability to affect the mind so as not to be GUTTED by the suffering of those attachments that leads to enlightenment and the suffering is essential to obtaining the transcendence.

Instead I want to share this quote:

Quote from The Heart of the Lotus Sutra by Daisaku Ikeda
Friday
Jul182014

Starting Over. Again. Dog fight

So it has been a year since I turned to the companionship of my blog. I have now joined the ranks of all of us who have learned about mourning a living person and the pain of traveling somewhere alongside someone that you shared so much with, just to have to walk back alone... the infamous break up...It has been a brutally painful road back, learning that intimacy and your authenticity does not guarantee someone else's or that your best friend is actually a stranger who is a phenomenal actor, able to substitute you, forget and abandon you instantaneously. It has been fascinating to see the time, energy and money some people are able to invest in inculcating themselves into your daily life and home just to cut you off and disappear.

How is it we can fall so in love, so completely give everything, so deeply, with someone who tells you, 'never let go - hold on tight with all your might' and then mocks you for not letting go when they change their mind? How is it everyday so many of us fall madly in love with fiction? That is art - ART...lies.

I have needed to accept my responsibility in giving so much loyalty and attachment to one person. Trusting, believing- in and falling for the same pain twice...leaving myself with absolutely no one in my daily circle. No one. Learning to be alone, replaying moments of betrayal until there is no more to extricate. Not to mention dealing with the social isolation of even this 21st century tech addicted group of which I and so many friends are a part of.

The most essential thing that I can do is to return to myself- no matter how old I'm getting, find my way back to 'my' own dreams that I had replaced with the ever present 'us' and 'ours' and continue to pursue happiness. Force that illusive sleep, stop the invisible missing from dominating and see the visible present, eat fruit, nuts and smile. That last one - put on a smile- post the pics, get the FB likes and try desperately to trick my brain into feeling not so alone, not so sad. Brain science says we can make new neurons and change our brain patterns so maybe there's something to faking a smile!

My most recent work in progress, Dog Fight. Enjoy.

Dog Fight Work in Progress by M.Diaz
Friday
Oct042013

Newest Work- Wood Cut-out Illustrations

'The friend comes into my body Looking for the center, unable to find it, Draws a blade and strikes anywhere'- Rumi Wood Cut-Out Illustration by M. Diaz art in the trunk getting ready for a five hour drive and an art install... hanging, 'The friend comes into my body Looking for the center, unable to find it, Draws a blade and strikes anywhere'- Rumi

So the newest direction I have been growing into with my work is illustrating both on and with wood. This piece is a self-portrait and has pencil drawing on it along with image transfers of pomegranate slices. For many years, in fact from my first glassblowing experience around 16 years ago, I have been deeply affected by the work of the Sufi poet Rumi. Therefore this is the only piece in which the title is an inherent part for me of experiencing the art.

The title,

"The friend comes into my body Looking for the center, unable to find it, Draws a blade and strikes anywhere"- Rumi

Was the guide on how I developed this work, which is often NOT how I work, a title is usually secondary in my thought process, not first. The choice of pomegranates for me was at once about a forbidden fruit, as much as, a visceral, color and textural internal effect. The choice to image transfer allowed me to present them as slices or metaphorical 'cuts' on the analogy of wood as flesh.

Tuesday
Sep172013

New Paintings, Tonalli Exhibit - Fire 

Sam Andaran (Fire Within in Persian) Axolotl by M. Diaz 22x30 Ink Painting and Mixed Media Sam Andaran/Fire Within Detail by M. Diaz Detail shot of an Axolotl by M.Diaz me with Tonalli @ Anne Arundel Community College
Monday
Sep162013

New Art, Tonalli Exhibit, Water Painting 

El Pez Por Su Propia Boca Muere/ The Fish by its own Mouth Dies 22x30 by M. Diaz El Pez detail 22x30 Mixed Media Ink painting by M.Diaz el Pez detail by M.Diaz Me with 'El Pez Por Su Propia Boca Muere'

This was one of the first pieces I developed for the Tonalli Exhibit in Arnold Maryland his month, though it's the third piece I'm revealing here. It is entitled, El Pez Por Su Propia Boca Muere which translates to the fish by its very own mouth dies. It has three-dimensional pieces on it and is encased in a coating of resin, hard to photograph due to the gloss.

It's funny how I found the pieces which are 22x30 so large when working on them, but it appears so much smaller on the gallery wall- all the white wall space just eats it up.

Obviously this is the water piece in the Earth, Air,Water and Fire series. I know some of my students are seriously freaked out about the hook in the mouth, though I'm sorry for that, I still feel it's one of my strongest pieces when it comes to wordlessly communicating my emotions and my inability to be understood.

Thursday
Sep122013

New Art, Ink Paintings in Tonalli Exhibit in Arnold, Maryland

If you're following the new art and saw the blog post before this one, you'll see that the last painting I posted (My Lepidoptera Heart) is my 'Air' piece in my new Earth, Air, Water and Fire series. Since many of you can't get to the Maryland exhibit I'm showing all the pieces here in a reveal.

The next piece I'm revealing is the Earth piece, entitled, Esurio the Latin word meaning 'to hunger'.

Esurio by m.diaz 22x30 Ink Painting and Mixed Media Esurio Detail 22x30 Mixed Media Esurio Wolf Detail 22x30 ink painting & mixed media hope you're enjoying the reveal,
Wednesday
May022012

More Moleskine Sketchbook pages 

So as some of you know I'm participating in this year's Arthouse Limited Edition Sketchbook Project. The sketchbook will be archived at the Brooklyn Art Library. Participants have different themes, I chose the theme: The Secret and How to Tell it. Here are a couple more sneak peeks into my sketchbook.

spread 1 the soul by m.diaz spread 2 love, hate and guilt and Guard it by m.diaz spread 2 a comfort cell and spill it by m.diaz spread let it go by m.diaz