2/20 Gallery Unearthly Woman Exhibit

2/20 Gallery West 16th st between 7th and 8th Ave, NYC

This Friday the 13th, I will be opening another gallery exhibit with fellow artist Nova Gutierrez! We open in Chelsea on West 16th Street between 7th and 8th Ave at the 2/20 Gallery. So if you're in NYC drop by anytime between 6-8pm. As an added bonus, I'll be celebrating my 40th B'day that night and we'll have a FABULOUS BLYTHE cake made by cake masters at La Promenade!

The show is entitled Unearthly Woman and is an exploration of the female on, without and within this land.

detail of Animal Instinct - Kill it or Love it Charcoal drawings by marisol diazArtwork by Nova Gutierrez

So stop by or Stay Tuned to check out all the pics of the BDAY artshow extravanganza!!-Amarettogirl

Update on Friday, November 13, 2009 at 09:08AM by Amarettogirl

Thanks to my awesome students - it looks like we may some music tonight too! So get ready for a great time.

Guerilla Knitting in NYC

Names of Participating Guerilla Knitters

Guerilla Art and Guerilla Knitting is not such a new concept but when you get to see it in action, its always refreshing and innovative.

While my hub and I were visiting the city this summer, we ran into this corner on 1st avenue on 9th St. more than once (a very cool urban art/toy and graphics store called Giant Robot resides on that street).

green flower

Guerilla knitting is a great way to add color and warmth to the cold, and often hard face of the city. In this project, which was sponsored by the PS 122 Gallery last Spring, the work spawned from, and in conjunction with, a larger effort entitled Yarn Theory.

Covered iron bars

As you can see, the project certainly does add color and warmth, but I also think it creatively adds to the interdependent nature of the chaos and distraction of the city, especially into a space that is already a stimulating environment. That sounds negative, but I see it as a positive contribution to the meaning and symbolism evoked by the architectural features we walk by daily in the city.

iron fence on an angle

The PS 122 Gallery presented an exhibit this past Spring from April 25th to May 17th called Yarn Theory in hopes to spur on the realization that there is a deep relationship between science, math and knitting and crocheting:

Highlighting the work of some of today’s most interesting practitioners, Yarn Theory juxtaposes installations and art objects made with a scientific or mathematical basis as a starting point, and with mathematical models and items made explicitly to explain or clarify abstract concepts, which end up being compelling aesthetic forms unto themselves. Because of their incremental structure, the crafted shapes often mimic growth systems found in nature. Today’s needle workers, many of who are also scientists and mathematicians professionally, are exploring such correlations.

whole web

My personal favorite out of the Guerilla knitting on the corner of 9th St. is this grey web. It is brilliant in the way that it complements the color, complexity and interconnectedness of the city. The relationship between the yarn and the iron fence becomes truly symbiotic and relevant.

The way the web travels up between the iron bars is nothing short of artistic brilliance in my humble opinion.

detail of web

Gregg Emerys Azucarera Exhibit was a Blast

Gregg in the packed Gallery

The opening was a great success. Since Gregg Emery is a Dean and instructor at the Dwight-Englewood School, there were many former and current students as well as faculty support.

The postcard circle

A circle was made using the announcement cards by family who attended the opening reception, Devin and Alexandra.

Substratum painting by gregg emery - Sold

This particular painting was worked over several times during the past year. The crackling paint effect was achieved while working in a below freezing studio space.

Gregg and Former student Jerry Igdalev with his girlfriend Nadia

It was great seeing such an amazing turnout in this new alternative exhibit space. The work looked beautiful, the atmosphere was friendly and welcoming and a good time seemed to be had by all.

NYC Weekend Edition- Artist Gregg Emery at Azucarera Gallery

This Friday night, August 21st, at 7pm Artist Gregg Emery (a.k.a. my husband) will be exhibiting a show entitled The Drawn Line -On Reading The Human Soul. The Azucarera gallery is located at 414 W. 145th St. (basement) between Convent Ave. and St. Nicholas Ave., Harlem - if you're around stop by!!!

Cynosure by Gregg Emery

Some of you may remember when I wrote a blog post on Gregg and his work and I urge any of you curious about him and his process to check out that old post here! As a special treat the exhibit will also have a wall dedicated to his phenomenal gestural figure drawings from his numerous sketchbooks.

figure drawing by artist Gregg Emery

And for an EXTRA special treat for those who follow my work - Gregg and I collaborated on a piece entitled Fleeting Seedling and you can see that complete painting only at the exhibit - but here is a detail shot of my work. Come to the opening to see the whole thing!!!

detail of Fleeting Seedling Collaborative Painting by marisol diaz and Gregg Emery

Illustrations and The Azucarera Exhibit

Sugar Plum by marisol diazIdle Cherry Bomb by marisol diaz

The Soul of Sweet Delight - New Art Pieces for Gallery - Azucarera NYC

work in progress - Sugar Cane - by marisol diaz for Azucarera this July

A professional liason and friend, Nova Gutierrez is in the process of fulfilling a life-long dream- opening her own gallery! As we are both educators, it's a hectic, precious and vital time for us. We're ending the academic school year, chaperoning proms, walking the yearly, but unique, recessionals that are our graduations. However, along with all of this we are celebrating and championing the opening of the gallery AZUCARERA.

Azucarera is an artist run gallery opening June 1, 2009, in the historic Sugar Hill neighborhood in Harlem, NYC. Exhibits at AZUCARERA will emphasize the creative work of new and emerging artists who identify as women of color, indigenous, LGBTQ/Two Spirit, working class, and/or feminist. AZUCARERA is a transnational, multigenerational space that recognizes and celebrates the artistic work that energizes and sustains our diverse communities.

This new gallery fulfills a mission to be more inclusive of those who have been most excluded in the art world vernacular. The show in which I am participating in is entitled The Soul of Sweet Delight inspired by a line in William Blake's Poem The Marriage of Heaven and Hell. Here are some peeks into my works in progress:

In Progress Watercolor - Cherry by marisol diaz Watercolor in Progess Blueberry by marisol diaz

This gallery will prove to be a wonderful door and opportunity for women of color! Currently there is a CALL FOR ART WORK for this Soul of Sweet Delight exhibit with submissions due June 22th! There is still time! If you are interested in this gallery and can't make this show, stay tuned, there will be future call for entries!

Art House Sketchbook Event!!

Spread from My Arthouse sketchbook click HERE (or scroll down) to see it

The Arthouse Sketchbook Brooklyn event was this past Friday on the last day of school before our Spring break. And what a day that was...but that's another story. It was a beautiful way to end the day as we (my husband fellow artist Gregg Emery and I) accompanied our student Colin (who is also an artist featured in the sketchbook event) to the Brooklyn opening by public transportation from New Jersey. At the last moment, we were joined by two of our other art students, Ji Min and Nicole. What an adventure it was to take the bus, subway and walk through Brooklyn's warehouse district with our students in such a spontaneous, unplanned and informal trip.

All of us at 175th Train StationThe ArtHouse Event was at 3rd Ward in Brooklyn

The Arthouse Event was sponsored by 3rd Ward Creative Space in Brooklyn, NY. 3rd ward is an amazing space with art facilities from wood to computer center available for use by the public. There were over 2500 international participants in the sketchbook event. When we arrived there was already a major crowd spilling out onto the street, music blaring, and sketchbooks galore being perused.

Our three students checking out sketchbooksfolks checking out Colin's sketchbook

As soon as we realized how the sketchbooks were being displayed - simply laid out to be handled and traded we knew finding any of our own would be like finding a needle in a haystack, but we tried anyway. By a stroke of luck, Colin immediately spotted some folks checking out his sketchbook! He was overjoyed as they were commenting on how much they loved it!!

Colin peeking through an uber-creative sketchbookMy sweet cousins, Tai Tai and Kas came to the show too! ready to check out some art!Another amazingly creative sketchbook!We met up with some co-workers and alumni (students of ours from 1999 and 2000!)There were so many varied responses to the Everyone I know theme...it was mesmerizing!Sketchbook spread by artist Duncan Reid - my favorite sketchbook of the night.

So thanks for tagging along to our Art house sketchbook event in Brooklyn! Hope you are as inspired as we were when we left...we were so hungry we got off the subway in Manhattan and had some Gray's Papaya before heading back up to Jersey!

Art House Co-Op Sketchbook Complete-

all the images for the Art House Sketchbook project in a mosaic

Well here is a slightly zoomed in version of the completed sketchbook for the Art House Co-op Sketchbook volume 3 exhbit- just in time to run to the post office and have it postmarked by the deadline. The next time I do this I think I'll start well before two and half weeks (its easy to underestimate the amount of spreads -there were over thirty- in one of those little moleskines!)

If you would like to see the sketchbook in person (along with hundreds of other amazing sketchbooks) this is the list of cities the Sketchbook Volume 3 Exhibit will travel to around the US:

EVENT at Art House Gallery Feb 27th, 2009 Atlanta, GA The Sketchbook Project Tour - Atlanta Over 2,700 sketchbooks from around the globe.

EVENT at Museum of Contemporary Art DC March 3, 2009Washington, DC The Sketchbook Project Tour - Washington, DC Over 2,700 sketchbooks from around the globe.

EVENT at Chris' Jazz Cafe March 4, 2009Philadelphia, PA The Sketchbook Project Tour - Philadelphia Over 2,700 sketchbooks from around the globe.

EVENT at Laconia Gallery March 6, 2009Boston, MA The Sketchbook Project Tour - Boston Over 2,700 sketchbooks from around the globe.

EVENT at Antena Gallery March 8, 2009Chicago, IL The Sketchbook Project Tour - Chicago Over 2,700 sketchbooks from around the globe.

EVENT at Soulard Art Market March 11, 2009St. Louis, MO The Sketchbook Project Tour - St. Louis Over 2,700 sketchbooks from around the globe.

EVENT at 3rd Ward March 13, 2009Brooklyn, NY The Sketchbook Project Tour - Brooklyn Over 2,700 sketchbooks from around the globe.

EVENT at Museum of Design Atlanta (MODA) April 2, 2009Atlanta, GA The Sketchbook Project Tour - Atlanta Over 2,700 sketchbooks from around the globe.

ART & Art House Co-op, Opportunities for Visual Artist Nationally

The Sunday Scribbling post this weekend is the word ART.

In my life 'art' is one of two small three letter words (you can guess what the other is) that in its munificence and multiplicity of interpretations is as all encompassing and one of the anthropological enigmas and forces of a human being's existence. The human need to create, construct, design, document, communicate, exhibit and display emotive, aesthetic, visual, kinetic, auditory, sensory or political statements that infer reaction (even if silent) has been a point of great controversy when attempting to encapsulate and define the word 'art'. Though not to the same degree it is in that same way that wars are waged over defining the word God.

I carry an MFA - a Master's Degree of Fine Art and I have walked in that world of higher aspiring gallery-tooting artists for quite some time. The kind that dismiss lesser art-forms; crafts, instruction, function, accessible, non-toxic techniques and community - the kind that believe that the lofty studio is the only form of daily, noble occupation they should hold. However, I have found myself not prescribing to an elitist, high-brow definition of art-making either with food, word, song, color, line, form or performance. Therefore I do not distinguish (like many in my field) between Craft and Fine art.

Beauty Cage Sculpture by marisol diaz

That doesn't mean I don't wish my daily grind was facing my own rules in my own studio daily (who wouldn't), it means I do not believe it is my gift alone to have and I do believe that the joy of experiencing art is teachable. Affirmation is doable. It means I do not see function as lending a utilitarian, hand-evident and therefore neophyte quality to the art-piece. It means that I believe art is for everyone, in everyone and about everyone - whether you are in-tuned with it or not. The evident work of the laborer and hand in a piece of art is just as much a masterpiece as the art work whose maker masters at disguising there was ever a hand there.

In the visual arts those who say - 'I cannot draw' are denying themselves the lifting of a veil, since it begins with simply making a mark and ends with the practice of doing piano scales, because we do indeed admit that we can learn. What is it after all you are trying to draw? Sure there is something said about inherent talent, amazing innate gifts of skill and fluidity, but even the artist born with those abilities are making art hoping to touch the artist in others. To me its that simple connection that determines the extraordinary reach of the word art.

Art House Co-op Sketchbook Show Excerpt by marisol diaz

So I have a new self-imposed deadline, and here's why:

One of my visual art students (artist Colin Alexander) told me and my hub (fellow artist and teacher) about Art House and an exhibit opportunity that we should look into. So we did. Now our student, my hub and I are all submitting work for the sketchbook show and we will be exhibiting together! So what is ART HOUSE and how can we all benefit?

Art House creates massive, nationwide (and global) art projects that tie hundreds of artists together – and anyone can participate. We started two years ago with the goal of bringing art to the masses. Since we started, we have interacted with thousands of artists from around the world, all brought together with the common goal of creating art and sharing it with each other. We host many of the exhibitions for our projects at our gallery in Atlanta, Ga. In an attempt to give artists as much recognition as possible, as well as providing the opportunity to see the exhibition that they're a part of in person, we have started taking select projects to guest galleries around the country.

http://sundayscribblings.blogspot.com/

El Anatsui at the Metropolitan Museum of Art

Since I find one of my overall passions as an artist and a blogger is to blur the line between fine art and craft, I like to feature both artist and art that walks this fine line. This past summer I was surprised to find Ghanian born artist El Anatsui featured as part of the Metropolitan Museum of Art's recent acquisitions. And for those of you who are lovers of art made from recycled materials you will be sure to love this find as well!

Dusasa II by El Anatsui @ the Metropolitan Museum of Art

The piece you see featured above is made from thousands and thousands of found aluminum and copper wire (flattened and discarded aluminum caps) that are weaved together. It is a wall-hanging and is quite large (full wall scale) I was craning my neck and having to step far back in the gallery to photograph it. El Anatsui is considered the foremost African contemporary sculptor.

detail of Dusasa II 2007 by El Anatsui

The community based Ghanian kente cloth construction of this piece can also be compared to mosaic work, folk art, and even the patterning that has been treasured in Gustav Klimt's paintings. The following images truly show the majesty and mastery of the piece.

detail shot of El Anatsui's DusasaII, 2007 piece

According to the artist (as I read on the title card)

the term Dusasa can be translated as 'a patchwork made by a team of towns people'

However another beautifully poignant quote from the artist that I found at another site states:

Art grows out of each particular situation, and I believe that artists are better off working with whatever their environment throws up.

- El Anatsui, 2003 super detail of El Anatsui's DesasaII wall hanging

On a side note - if you enjoy seeing El Anatsui's work, I recommend the National Museum of African Art site, which has a specially designated section on El Anatsui and three of his major works with podcasts of the artist talking. In addition, if you just google 'El Anatsui' amazing articles and images of his work come up!

Furthermore, if you love this kind of eco-conscious art-making you will really enjoy the Visionary Art Museum in Baltimore, Maryland. When I lived there I got to go often and it was indeed one of my all time favorite places to be! Please let me know what you think!